The problem with Dune | Scene and Heard: Scene News Blog



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There is no problem with Dune.

It’s incredible. Go see him. Director Denis Villeneuve (Finish, Blade Runner: 2049) has crafted a grand, nerdy sci-fi epic worth watching in theaters. It opens simultaneously (today) on HBO Max, but the film’s massive reach and attention to visual detail rewards viewings in premium formats.

It is true that this is not your garden variety Fast and furious. This is not your airy, family Shang-Chi. It’s a heady, dense, at times confusing adaptation of a sci-fi masterpiece so heady, dense, and disorienting that it has long been considered unsuitable. There are words, titles, trinkets that are confusing.

Plus, it’s much more political than the average space opera in the sense that its plot has everything to do with politics. “Dune” is another name for the planet Arrakis, and the story is entirely about leadership and the production of its abundant natural resource, called “spice”. Initially, the planet was granted, via a decree from the Emperor, to Duke Leto Atreides (Oscar Isaac) and his family, including his son Paul (Timothee Chalamet), a Messianic figure greeted with hope and nostalgia by the inhabitants of Dune. .

The Atreides clan and their lieutenants (Josh Brolin and a clean-shaven Jason Momoa) commute from their home planet to take command, but do so with caution. They are aware that the Imperial gift is linked to larger political conflicts, and the Duke recognizes the benefit of forging an alliance with the indigenous population of the planet.

The palace plot dominates, but be aware that there is much less sex and violence than a typical episode of Game Of Thrones. The greatest pleasure to see Dune watch Frank Herbert’s original vision come to life in the capable hands of Villeneuve. Like all good science fiction, there is an almost academic thrill to learning about new fantasy worlds: their laws, their legends, their geographies, their weapons, etc. The costumes, set design and special effects – to say nothing of Hans Zimmer’s score – enhance a screenplay that stays true to both the spirit and the text of Herbert’s landmark 1965 novel, and makes its sound better not to alienate the public with a flood of information out of the door.

Dune May not rake in huge box office profits this weekend, at least not against its $ 116 million budget, but that’s only a “problem” if you’re a soulless studio hack . Villeneuve is ready to begin filming the second half of his epic (conceived in two parts), as soon as possible, and Warner Brothers would be wrong not to give this king the green light.

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